- 32
- 576 001
Cardiff Miller
Canada
Приєднався 22 бер 2008
Cosmic Disco; 2024; Janet Cardiff and George Bures Miller
Cosmic Disco; 2024; a 1 minute excerpt from a 20 minute loop; programmed light and motion synced with audio
There are three elements in this work.. the altered mirror-balls, the lighting, and the audio.
The speed and direction of each globe, as well as the numerous different lighting cues, are controlled by a computer. The reflections on the walls suggest deep space but they change to look like floating space junk, nebulas or satellites. One section has giant bubbles appearing and moving around the walls. These bubbles refer in an interesting way to a real phenomenon of ‘space bubbles’, fossilized remnants from the Big Bang.*
The sound, played back on 4 speakers is taken from recordings from the Voyager I and II which were launched in 1977. Antennae on the probes recorded the interactions of the solar wind, electrically charged particles emitted by the sun, with the magnetic fields of planets and moons in our solar system. As the stream of particles strikes the magnetospheres, distinctive vibrations are created that, although inaudible in the vacuum of space, fall within the range of human hearing and can be played back as sound on Earth.** We decided to work with these soundscapes and edited together several of them creating an eerie ethereal environment. There are also some inserted bits of music sampled from ‘the Golden Record’ which was an album with sounds and music sent with the Voyager spacecrafts in 1977 meant as a ‘Time Capsule’ to communicate with any potential aliens. These tiny bits of music are only heard occasionally as they seemingly float by lost in space.
*Cosmologist Jim Peebles theorized that in the primordial universe (then a stew of hot plasma) the churning of gravity and radiation created sound waves called baryon acoustic oscillations (BAOs). As the sound waves rippled through the plasma, they created bubbles. Approximately 380,000 years after the Big Bang, the process stopped as the universe cooled down, freezing the shape of the bubbles. The bubbles then grew larger as the universe expanded, similar to other fossilized remnants from the time after the Big Bang.”
**nssdc.gsfc.nasa.gov/nmc/experiment/display.action?id=1967-123A-07
The sixth century BCE, Greek philosopher and mathematician Pythagoras posited his theory of the music of the spheres. The sun, moon, and other heavenly bodies, he believed, each emit a unique tone based on their distance from each other and orbital revolutions that together form a harmonious symphony that expresses the underlying order of the cosmos.
There are three elements in this work.. the altered mirror-balls, the lighting, and the audio.
The speed and direction of each globe, as well as the numerous different lighting cues, are controlled by a computer. The reflections on the walls suggest deep space but they change to look like floating space junk, nebulas or satellites. One section has giant bubbles appearing and moving around the walls. These bubbles refer in an interesting way to a real phenomenon of ‘space bubbles’, fossilized remnants from the Big Bang.*
The sound, played back on 4 speakers is taken from recordings from the Voyager I and II which were launched in 1977. Antennae on the probes recorded the interactions of the solar wind, electrically charged particles emitted by the sun, with the magnetic fields of planets and moons in our solar system. As the stream of particles strikes the magnetospheres, distinctive vibrations are created that, although inaudible in the vacuum of space, fall within the range of human hearing and can be played back as sound on Earth.** We decided to work with these soundscapes and edited together several of them creating an eerie ethereal environment. There are also some inserted bits of music sampled from ‘the Golden Record’ which was an album with sounds and music sent with the Voyager spacecrafts in 1977 meant as a ‘Time Capsule’ to communicate with any potential aliens. These tiny bits of music are only heard occasionally as they seemingly float by lost in space.
*Cosmologist Jim Peebles theorized that in the primordial universe (then a stew of hot plasma) the churning of gravity and radiation created sound waves called baryon acoustic oscillations (BAOs). As the sound waves rippled through the plasma, they created bubbles. Approximately 380,000 years after the Big Bang, the process stopped as the universe cooled down, freezing the shape of the bubbles. The bubbles then grew larger as the universe expanded, similar to other fossilized remnants from the time after the Big Bang.”
**nssdc.gsfc.nasa.gov/nmc/experiment/display.action?id=1967-123A-07
The sixth century BCE, Greek philosopher and mathematician Pythagoras posited his theory of the music of the spheres. The sun, moon, and other heavenly bodies, he believed, each emit a unique tone based on their distance from each other and orbital revolutions that together form a harmonious symphony that expresses the underlying order of the cosmos.
Переглядів: 92
Відео
Ambient Jukebox; 2024
Переглядів 2133 місяці тому
Ambient Jukebox; 2024; Janet Cardiff and George Bures Miller Viewers make a selection on the jukebox keyboard which plays a record. Each record is an ambient track recorded by us during our time in studio during the Covid lockdown. Most of the 20 plus tracks are solo guitar (with pedals but no overdubs) and were originally composed for our project Escape Room; 2021. ua-cam.com/video/Sofq7TavSso...
The Missing Voice; Janet Cardiff; 1999
Переглядів 7093 місяці тому
The Missing Voice; documentation of an audio walk by Janet Cardiff; 1999 The sounds that you hear are the binaural audio track that the walker hears in the headset. Wear headphones to get the best sound. Produced by Artangel Sound Mix by George Bures Miller Originally available from Whitechapel Public Library and handed out on cassete playback devices.
Escape Room
Переглядів 3,6 тис.2 роки тому
Escape Room, 2021, Janet Cardiff and George Bures Miller Seen here installed at Luhring Augustine Gallery, New York. September 10 - October 23, 2021. Currently showing at The Lehmbruck Museum, Duisberg, Germany from 27 March 2022 to 14 August 2022 (ESCAPE ROOM EXTENDED TO MAY 2023!) as part of the major retrospective exhibition "Janet Cardiff and George Bures Miller". (Escape Room at the The Le...
The Dark Pool, 1995, Janet Cardiff and George Bures Miller
Переглядів 4,2 тис.4 роки тому
Here is a short clip documenting our first "official" collaboration. This piece is currently on permanent display at K21 Kunstsammlung NRW in Düsseldorf, Germany. As the viewers move through the installation, their shadows activate strands of music, echoes of stories and fragments of dialogue. Produced originally for Western Front, Vancouver. Curated by Judy Radul. Voices Older Woman: Audrey Ba...
Night Walk for Edinburgh; 2019; Janet Cardiff and George Bures Miller
Переглядів 8 тис.4 роки тому
Night Walk for Edinburgh is on again until January 31, 2020. Check it out if you're in or around Edinburgh. www.fruitmarket.co.uk/night-walk-for-edinburgh/ Viewers are given a smart phone and headphones and asked to follow the prerecorded video through the streets of the city. Wear headphones to get the full effect of the original binaural recording. This is a 1:56 minute excerpt from a 55 minu...
The Killing Machine; Janet Cardiff and George Bures Miller
Переглядів 12 тис.4 роки тому
An installation by Janet Cardiff and George Bures Miller The Killing Machine is on view at the MoMA until January 4th, 2020. Here it is shown in 2011, at the Akademie der Künste in Berlin, Germany during their Käthe Kollwitz Prize show. Credits: Music: Heartstrings by Freida Abtan Sound Design and Percussion: Titus Maderlechner Robot Design: Carlo Crovato Construction: Kyle Miller, Robyn Moody,...
Night Walk for Edinburgh; 2019; Janet Cardiff and George Bures Miller
Переглядів 25 тис.4 роки тому
Here is short clip from our new piece commissioned by the Fruitmarket Gallery. Viewers are given a smart phone and headphones and asked to follow the prerecorded video through the streets of the city. Wear headphones to get the full effect of the original binaural recording. This is a 3 minute excerpt from a 55 minute piece. Credits for this clip are: Production: Samantha Woods Dancers and Chor...
Thought Experiments in F# Minor
Переглядів 5 тис.5 років тому
A new work currently showing in Los Angeles at the Walt Disney Concert Hall. Thought Experiments in F# Minor; 2019; Janet Cardiff and George Bures Miller Here is an attempt to document our new work commissioned by the Los Angeles Philharmonic. Viewers are given an iPad and headphones and asked to follow the prerecorded video through the Walt Disney Concert Hall . Wear headphones to get the full...
The Instrument of Troubled Dreams
Переглядів 8 тис.5 років тому
The Instrument of Troubled Dreams, 2018, Janet Cardiff and George Bures Miller Currently showing at The Lehmbruck Museum, Duisberg, Germany from 27 March 2022 to 14 August 2022 as part of the major retrospective exhibition "Janet Cardiff and George Bures Miller". In the High Choir of the Oude Kerk in Amsterdam, viewers are invited to sit at a replica of a 60’s Mellotron Mk II and play the keybo...
Osaka Symphony; 2018; Janet Cardiff and George Bures Miller
Переглядів 3,3 тис.6 років тому
Osaka Symphony; 2018; Janet Cardiff and George Bures Miller A site specific audio installation commisioned by The National Museum of Art, Osaka, Japan. The audience are given an iPod and headphones and asked to explore a long narrow corridor. As the viewer moves through the space numerous soundtracks play all dependent on where the person is in the corridor. Audio fades up as they enter a certa...
Conversation with Antonello
Переглядів 2,7 тис.8 років тому
We were asked to create a soundtrack for any work in The National Gallery's collection for the show "Soundscapes". We chose the painting St. Jerome in His Study; 1460-1475; by Antonello da Messina. Inspired by this work, we decided to not only create a sound piece but also a sculpture that would attempt to recreate the space within the painting. This became a slightly obsessive, perhaps impossi...
The Murder of Crows (Lullaby Excerpt)
Переглядів 4,8 тис.8 років тому
By request; here is a short excerpt from the Murder of Crows showing the lullaby section of the piece. The Murder of Crows is a 30 minute audio installation by Janet Cardiff and George Bures Miller. Here it is seen installed at the Hamburger Bahnhof-Museum für Gegenwart in Berlin, Germany in the spring of 2009. This installation was curated by Carolyn Christov-Bakargiev for the 16th Biennale of...
Sad Waltz and the Dancer who couldn't dance; 2015
Переглядів 7 тис.8 років тому
Sad Waltz and the Dancer who couldn't dance A new installation by Janet Cardiff and George Bures Miller for the the 14th ISTANBUL BIENNIAL. In a small room in the basement of the Vault Karaköy Hotel... Credits: Sad Waltz by Edward Mirzoyan Performed by Arjen Seinen Production Assistant: Maryke Simmonds Production Coordinator: Zev Tiefenbach Production Assistant (Istanbul) : Ege Yaman Thanks to:...
The Infinity Machine, 2015, Janet Cardiff and George Bures Miller
Переглядів 10 тис.8 років тому
The Infinity Machine was commissioned by the Menil Collection in Houston, Texas. Credits: Production Coordinator - Zev Tiefenbach Studio Build- Maryke Simmonds Installation Supervisor (Hanging Mirror Man) - Carlo Crovato Sound Design and Programming - Titus Maderlechner Rotator by: Semco Motion. Space Sounds, used with permission from Dr. Jeffrey Thompson, Center for Neuroacoustic Research Than...
The Marionette Maker, Janet Cardiff and George Bures Miller
Переглядів 14 тис.9 років тому
The Marionette Maker, Janet Cardiff and George Bures Miller
FOREST (for a thousand years) - Clip 2
Переглядів 1,6 тис.9 років тому
FOREST (for a thousand years) - Clip 2
The 40 Part Motet (A reworking of Spem in Alium by Thomas Tallis) an installation by Janet Cardiff
Переглядів 14 тис.10 років тому
The 40 Part Motet (A reworking of Spem in Alium by Thomas Tallis) an installation by Janet Cardiff
THE PARADISE INSTITUTE by Janet Cardiff and George Bures Miller
Переглядів 19 тис.10 років тому
THE PARADISE INSTITUTE by Janet Cardiff and George Bures Miller
Ghost Machine, 2005, Janet Cardiff and George Bures Miller
Переглядів 10 тис.13 років тому
Ghost Machine, 2005, Janet Cardiff and George Bures Miller
Feedback, 2004, Janet Cardiff and George Bures Miller
Переглядів 2,7 тис.13 років тому
Feedback, 2004, Janet Cardiff and George Bures Miller
wtf is this ? And we’re
Só quero fazer tar fã do 5 ano afff
?
I used to work with Janet, in '85-'87 at the AGO. I certainly remember her cheerful smiling positive loveliness as we silkscreened kid's paper stencils with black ink during school visits to our department. I had a crush I suppose. Who wouldn't? I was so happy to learn of her great success. She is an exceptional artist. Gracious and kind. Fun to be with. Not snobby or fussy. One of my favourite people . Bravo to you both!
<3
I chanced upon this at the Art Gallery of Ontario some years ago. Amazed, I sat down on the bench and didn't move for the entire piece. Would love to hear it sung live, but this was pretty good!!
Como é inexplicável participar desse trabalho!
3:38 I felt much sympathy for this puppy!!
This is absolutely dope
Love this, but I do have a question ! Are the movements in voices only present in this binaural mixdown, or are they also already there during the live installation ? Thanks :)
I actually can't remember how the recording for the video was made. Don't think it was binaural actually, but it might be... I think the movement you're hearing was the stereo mic moving through the installation. If you experience the piece installed you can get the same effect by walking around the speakers and creating your own mix of the piece, which is what I like to do. If you sit in the middle you're physically surrounded by Tallis' compostion as he engages the space by using different singer's at different times in a completely 3 dimensional way. It's great this way as well. For me, its always a disappointment to hear the piece over two speakers on youtube... or even on a good stereo, sorry, G.B.M.
Weeping...
This is absolutely awesome!
This makes me happy. 😄 For many reasons. Main one I suppose is the idea that distinct vibrations that can't be heard in the vacuum of space can be translated (decoded?) into a range for human hearing. Not sure what that means at all, but it's dang cosmic!
cool... still don't know why i have to learn this for art class...
Awesome piece😀
👍🏻
Still my favorite piece to date after sitting in it when it was installed at the Vancouver art gallery.
Zur Zeit in Duisburg/Germany zu sehen, im Lehmbruck-Museum. Unbedingt anschauen! Watch it in Duisburg/Germany, Ruhr-Area during their fantastic Exhibtiion in the Lehmbruck-Museum.
Amei😍😍🐰
Eu quero saber como fazer para saber as respostas que eu tenho no meu livro de artes
Amei
muito merda vtnc estou apoiando a exploração da serra do curral agr fuck you <3
Ahora se puede escuchar este magnífico trabajo en Matadero Madrid. Es espectacular.
?
To aqui por tarefa aff 5 ano Pág 20 livro de arts
eu também
Eu também tô no 5 ano e tô aqui por causa de tarefa da página 20 de arte
Eu também ksks
Eu também tô no 5 ano Eu queria as respostas pra fazer o trabalho de arte
Onde vc estuda?
I saw this piece back in 2014 when it was apart of the Lost in the Memory Palace exhibition at the Vancouver Art Gallery. I was 14 at the time and now I'm 23. It still gives me chills and the whole exhibition was nothing like any other art I had ever seen before. Truly incredible work well done 😎👍🎨🎭🎶
Entendi nada
Tbm não kkk
Amazing! As a rain lover I find this instalation perfect!
impressive sound works, as they are millions of sounds you have good resource to work with, I like your other works Osaka symphony, pendemonium, infinity machine and many others, brilliant sound works, Storm Room is effective in many ways to show how powerful the nature is the rain that can drown cities and sounds of thunder that can fill one with terror... I admire your work.thats all...
Eu não entendi Porcaria nenhuma!
I spent hours at this exhibit. Life changing. I really wish it would come back to Houston. I've never had such a visceral reaction to an art installation. Even watching this video now gets me. Indescribable.
Llego aquí gracias a Fernando Castro.
Here after Joon's IG story.
eu só tô aqui por que atarefa me trose
Tabem
Tbm kkkk libro de artes pág 20
@@lucky1129 tbm kkkkk livro de artes pág 20
I saw this in person in December 2019. Absolutely haunting. I love it so much
Looking forward to seeing this next month when in New York. Another classic work by Janet and George that transports us into a world of their making, disturbingly similar to ours. And I loved the self-quotation! But it too is disturbing...the 40 Part Motet installed in some bleak space, and someone has toppled the speakers and interrupted the installation...
Qm veio pelo o livro de artes do 5 ano kkkkk
Euu
Euuuuu kakakakakaka
Kkkk eu só tô aki pq tenho Tarefa do 5° Ano kkkk
Euuu
おお！ストームハウスだ！
. _ .
Tá mas que instalação? Só quem veio pelo livro de artes vai entender
Ss velhoooo to tentando
quem veio pela prof de artes?
Eu :,)
Eu! Tu é de qual escola?
I
Eu vim kkkkkk sou uma criança viu kkk
Eu muito chato
Meu livro do 5⁰ ano me trousse até aqui e eu n entendi foi nada;_;
Pse man, Tu é de qual escola?
Nosso livro do quinto
Terrific!
Meu livro do quinto ano que me trouxe
o meu livro do quinto ano tbm me trouxe
Vcs são de qual escola?
O meu tbm
@@mariaribeiro7200 Nossa senhora da guia
@@zcaroldark8481 tb
Uma merda
Alguém em 2021
Cara meu livro de arte me trouxe para assistir isso é eu não entendi foi nada meu Deus
Nem eu kkkkk
Achei que era um vídeo 360°
This installation has stayed with me since I saw it at PS1 in late 90s. So happy to search your work today and peer back in. Inspired by your work!